“Brrrrrrt”
The sound of the trucks tires running over the warning track
of divets which divides and skirts each lane of the road. The shake of the
chassis can be felt in your feet and hands on the wheel. The design is to alert
drivers who may otherwise not be paying attention to the divergence of their
direction away from the road. It’s effective, almost spoiling, as some claim
one can drive “by brail” in an alerted state. We are on our way down Nevada 95
South. A new direction for us but nothing new with respect to being on the
road. Though, a new feature of the warning track caught my senses. Reflection.
It had begun to rain when we left Oregon the day before.
Rain is a minor challenge on the road, but for us having been stationary for so
long and the dry season just beginning
it has felt like a welcoming party. The rain has not stopped on our journey
South East. The only uneasy feeling is that of not knowing which spots of the
roads my become susceptible to hydroplaning. Hydroplaning occurs when there is
enough water and momentum to surf the wheels off the road. This causes the tires
to slip as if you’d hit ice only worse because the force of the water will
wrestle the steering wheel. An can operator can lose track, over correct, and
quickly end up in a dire situation. Luckily the road, unfamiliar to us, hasn’t
generated such spots. None the less my attention even as a passenger is on the
road.
“Brrrrrrt”
This time something else caught my senses. There was an
image in the divets. Of course, there was nothing in the divets but a level
plain of water, but as they passed along sequentially they collectively projected
an image, like a motion picture. This motion picture was the clouds in the sky
and each divet a moment of it as it passed. It dawned on me that each divet is
completely unaware of what it is projecting, no reflecting. Besides being a
rectangular pool of water or how coherent their collective image was, each
individual reflection was a subjective observation. The reflection took into
account all and only the parameters of the viewer and the subject they
reflected, not the pool of water. The divets only serves as a point, the water
a substrate, the succession of them a sense of change, the sky a subject, and
my viewpoint an observation of the collective projection. All together I was
provided perspective of the sky, were there was no sky at all.
“Brrrrrrt”
I then wondered, If I were looking at a different point, I
would see a different window? A different substrate a different reflection? A
different sequence a different sense of change? A different , an entirely
different sense of information.
This reminds me of the lyrics to REM's Nightswimming. Feels more like a poem.
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